Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Theodor Esbern Philipsen
A Late Autumn Day in Dyrehaven, Sunshine

ID: 79936

Theodor Esbern Philipsen A Late Autumn Day in Dyrehaven, Sunshine
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Theodor Esbern Philipsen A Late Autumn Day in Dyrehaven, Sunshine


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Theodor Esbern Philipsen

1840-1920 Danish painter, sculptor and draughtsman. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen, in 1862-3 and 1865-9, and in Paris under Leon Bonnat in 1875-6. He was an important figure in the development and renewal of Danish naturalism, linking the Danish Golden Age tradition with new French ideas. Conscious of the importance of plein-air painting, he was first a great admirer of the Barbizon school; later he was influenced by the Impressionists, becoming the only truly Danish Impressionist. Frequent visits abroad helped him develop his outlook; he eagerly studied the Old Masters, and the strong light of the south   Related Paintings of Theodor Esbern Philipsen :. | Maastik | Details of Venice | The Wait (san11) | Pang map of apple Schwarz | The Angelus |
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Jozef Simmler
Jozef Simmler (March 14, 1823 - March 1, 1868) was a Polish painter known for his classical style and his Polish subjects. Perhaps his most famous work is Death of Barbara Radziwillowna. an oil on canvas work completed in 1860. It now hangs in the National Museum, Warsaw. His daughter's brother-in-law was Eduard Strasburger, the famous Polish-German botanist. One of Simmler's grandsons was Henryk Leon Strasburger, a Polish delegate to the League of Nations
Edouard Armand-Dumaresq
French, 1826-1895
Reginald Marsh
American Social Realist Painter, 1898-1954,American painter, printmaker and illustrator. He returned from France to the USA with his American parents, Fred Dana Marsh (1872-1961) and Alice Marsh, who were also artists, in 1900. In 1920 he graduated from Yale University, New Haven, CT, where he had been art editor and cartoonist for the Yale Record. He moved to New York and became staff artist for Vanity Fair and the New York Daily News. By 1923 he had begun painting scenes of street life in New York in oil and watercolour. His first one-man show was held at the Whitney Studio Club in 1924. In 1925 he joined the New Yorker, to which he contributed regularly until 1931.






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